Archive for May, 2009

Songwriter Guitar Chords in D

Monday, May 11th, 2009

Here’s  another set of chords, this time focusing on a Dsus2 shape that makes a great songwriting home base. Try adding different bass notes for the Bm11 and Gsus2. Other bass notes will work for walk downs and other keys.

About that Bm11: chords on guitar often need to drop a note to make room for others. The first or second note to go is usually the V, I think because we hear it even when it isn’t there. This Bm11 doesn’t have an F# – the notes are BDADE – so it won’t show up in most chord dictionaries.

Once again, the graphic is linked to a much larger version.

Guitar Chords in D

Guitar Chords in D

Custom Capo Caddy

Friday, May 8th, 2009

A benefit of having a father-in-law with a knack for these things. The custom capo (and tone bar) caddy is one of a kind, and is not for sale.

Custom Capo Caddy

Custom Capo Caddy

Tone Chasing #3: Tone as Whole

Thursday, May 7th, 2009

The sound of an electric guitar even in the simplest rigs,  is an ecosystem of moving and changing parts. After your brain says “power chord”, your body has to perform the task.  Most likely you are holding a pick, which affects your tone.  You’re probably holding down a note on the fretboard, which may be maple, a layer of rosewood on maple, or something else. No electric guitar has a mandatory set of strings, so you have a choice to make there too. You have a world of options in every direction.
If you’re wondering why there aren’t more A:B comparisons of, for example, Strats and Les Pauls, part of the reason is that great rigs are often tailored to the specific guitar. At the very least, the pedals and amp may need to be adjusted when switching, at which point its hard to tell which thing you’re hearing in the A:B comparison.

Best Practices

What can we glean from all this? Change your strings. Okay, that’s a metaphor.  Make an investigation of the tone of your strings–the gauge, the materials, the action, the age, and the tuning–part of the fun. Then, investigate everything else in the same level of detail, especially things like picks and pick-up height, where price isn’t much of an issue. If you can avoid hurrying past this part, it will pay off big later.

Dean Markley and Jimi Hendrix

Wednesday, May 6th, 2009

I’m aware that Jimi’s name has been used to sell things since before I was born. However, I find it irritating that Dean Markley (the company, not necessarily the guy) would make this claim with so little follow-through:

After extensive research, company president Dean Markley and his staff were able to determine with some certainty that Hendrix played different types of strings at different points in his career. Using the knowledge gained from their research, the engineers at Dean Markley Strings have developed two types of Jimi Hendrix strings…

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While I’m doubtful about the “extensive research” and custom engineering to begin with, I can live with a little marketing hyperbole.  I can also live with an excuse to brand your nickel-plated strings and your pure nickel strings with the Hendrix name. But if you’re going to sell me a line about getting an extensively reasearched, custom engineered, down-to-the-album Hendrix tone, at least make sure that your website doesn’t say exactly the opposite of your vendors.

Strictly guessing, since the strings Markley lists as “later career” are packaged in the artwork from earlier in his career, Markley’s own website is in error. Here’s a set of screenshots:

Dean Markleys Jimi Hendrix marketing verbiage

Dean Markley vs Jimi Hendrix: The danger's of cut-and-paste marketing verbiage.